On this day back in 1985 I am not happy. One of my cassette tapes has broken, beyond even the ability of a rewinding pencil to repair it.
Understand please that this was not just any tape. To record it five years earlier in 1980, I had plugged a tiny microphone into my portable cassette recorder, and propped it up against the speaker of my bedside radio alarm clock. The squeaky-sounding reward for my efforts had eventually been the full second series of the Hitchhiker’s Guide to the Galaxy, which I then listened to on a fairly perpetual loop every night for years afterwards. The lost episode was the one in which Zaphod utters the most obscene word in the universe (‘Belgium’, in case you were wondering – fortunately here on Earth we don’t know what it means) – not once but twice.
No such trouble these days, with the entire five Hitchhiker radio series available for download from the likes of the iTunes store, stored in the cloud if I need to access any of them, and syncable across as many devices as I can afford.
It can feel as if this sort of ubiquitous availability is somehow also equivalent to permanence – that Douglas Adams‘ work is now saved and secured forever. But that’s surely a mistake. Who’s to say what the world will be like years from now, and whether we’re even capable of building a digital infrastructure that will stand the test of time?
Interesting then, that when the Long Now Foundation – an organisation dedicated to long-term thinking and the originators of the wonderful 10,000 year clock – were considering how best to preserve a record of the world’s many disappearing languages, they decided to etch the information onto a nickel disk in addition to committing it to the potentially ephemeral ones and zeroes of the cloud. Copies of the disk will be sent off into the centuries to come in the hands of individual owners across the world – a physical, distributed, analogue storage system far more capable of surviving a journey of thousands of years into into the future than anything the digital world currently has to offer.
If we want to avoid on a grander scale the kind of sad end that befell my cassette, we’re going to have to work a lot harder at managing both our data and the platforms that allow us to access it. Within a year or two – possibly less – the technology required to play my remaining Hitchhiker tapes will probably have departed the house – unlikely ever to return.